invitation poétics
invitation
Latin invitare. Portuguese co
vitare: ‘to want’:
need or desire
wanting-ness
waiting-ness
convivium
collaborative
companion
together
vidar
vida
life
con-vidar.
host
guest
guess
hostage
(out of) law
gift
other
risk
choice
life/death
food
problem
bond
affect(ion)
name
trust
cross
sexuality
path
journey
language
house
invitation poétics is a set of strategies, values and sensory/meaning structures.
it gathers different aspects and concepts of invitation.
poétics create arrangements to versify sensitive, conceptual and procedural contents of the phenomenological experience and qualify them as experiences in the artistic manifestation (Gunther, 2013).
who (is allowed to) host? how do you host a situation? how are you hosted by an event? when does hosting become guesting? can you guess the protocols by being (t)here?
language transition
sharing a common language is the basis of a community. during migration processes, shifting languages is one of the first tangible marks of be(com)ing a foreign.
what if, instead of focusing on the process of translation as a replacing act (this language for that), we embodied the act of wor(l)ds in coexistence: a process of language transition (this language and that and then this language and the one we might invent in the slippage between this and that)
exercising the practice of listening as an universal language.
displace
transplace
crossroads
treshold
translation
transition
change
move
passage
crossing
migration
transformation conversion
adaptation
adjustment
alteration
changeover
metamorphosisshift, switch
jump, leap
progression
gradation
development
evolution
transfiguration
flux, mutation
transmutation
a question opens a question opens a question opens a question opens a question opens a question opens a question opens a question opens a question opens a question opens a question
what it means to dwell when a sense of dis-orientation takes the foreground?
what does it mean to be an artist in residence?
What it changes when one, as an artist, is granted the state of being in residence?
what is a residency?
can I exercise modes of turning “residency” into an action verb? residencing?
what would entail the act of resi(denc)ing?
who is able to grant such a position, or title, for both the person and the context (the situation)?
how one can become an-“other-placed”-person by moving their location of dwelling, or by moving the location of their creative practice’s dwelling?
how can one, through dis-location, re-relate with one’s own identit(ies) and senses of be-longing through the acknowledgment of alterity?
can residencies be a creative way of manifesting the sense of (dis)location?
can location be experienced through the perspective of time, temporal situations?
how can one be response-able to a given environment and still exercise the ability to __place availability, affordability, desirability through poetics of con-fusion, with-ness?
how has the notion of invitation in choreography re/arranged the poétics of (temporary) coexistence through my practice?
art residencing
residence
residency
residencing
resident
home
house
address
map
counter-map
location
time
duration
situation
specificity
iteration
receiver
what it is to be at home? who own the status of resident? in residence, what shifts?
